Home Entertainment.10Joint venture with Sony Pictures Entertainment.11Owned by Discovery Networks Latin America under brand license12Co-owned with Participant, Entertainment One, Reliance Anil Dhirubhai Ambani Group, and Alibaba Group.13Co-owned with the United States Olympic Committee.
DreamWorks has won 17 Emmy Awards in that time, and there are six more shows on the way this year to Netflix, and more for other outlets.Cohn says the studio has 20 shows in production right now, and there’s still room for more. © ABImages.Since then, 12 DreamWorks series have streamed exclusively on Netflix, among them: TurboFAST, All Hail King Julien, The Adventures of Puss in Boots, Dinotrux, Dawn of the Croods, Voltron: Legendary Defender, Spirit Riding Free, and Guillermo del Toro’s Trollhunters, the first in a trilogy of series the Oscar-winning director has created for the studio. DreamWorks Animation Television president Margie Cohn. Joseph: King of Dreams | Trollhunters: Rise of the Titans2Co-owned with Hearst Corporation and Verizon Communications3Co-owned with NBCUniversal International Networks.5Joint venture with Ion Media, NBCUniversal, Corus Entertainment, and Scholastic Corporation.1Co-owned with Sony Pictures Entertainment and Lions Gate Entertainment Corporation.3Owns a minority share, InterMedia Partners owns a majority share.5NBCUniversal acquired some of ITC's assets when Universal Pictures merged with PolyGram, but ITV plc still owns ITC's films and shows.6NBCUniversal has some of AFD's assets, but Vivendi now owns EMI's films and ITV plc owns ITC's films.8Joint venture with Ion Media Networks, DreamWorks Classics, Corus Entertainment and Scholastic.9Joint venture with Warner Bros. Home Entertainment.10Joint venture with Sony Pictures Entertainment.11Owned by Discovery Networks Latin America under brand license12Co-owned with Participant, Entertainment One, Reliance Anil Dhirubhai Ambani Group, and Alibaba Group.13Co-owned with the United States Olympic Committee.
“It just kind of really re-invents what people are expecting from animated television. “I think there’s nothing like that on television for families now,” she says. Cohn cites as an example Trollhunters, del Toro’s mythology-laden set in the mystic town of Arcadia. With Netflix dropping blocks of 13 episodes at a time, viewers can watch an entire season at any rate they want and without commercial interruption.This more immersive experience lends itself to serialization and to more complex - and meaningful - storylines. But we want to make sure that we maintain our quality and that we’re developing everything to be its best possible version of itself.”Producing animated series for streaming is slightly different from producing them for broadcast or cable. “I don’t think we’ve reached it quite yet.
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“We were grateful that the studio wanted to do this. “It’s more about what we want to make, and what we want to see.”Blurring the line between original and revival is Harvey Street Kids, a comedy that stars Little Audrey, Little Dot and Little Lotta from the old Harvey Comics line as regular kids in a neighborhood that executive producer Brendan Hay describes as “the best place in the universe to grow up and be a kid.”“This show is unapologetically driven by three distinctly different girl characters,” adds executive producer Aliki Theofilopoulos. “It’s really changed the business and what can be made because it’s not a finite schedule to be filled,” Hastings says. “The movie and the TV show are separate properties based on the same material,” he says.Streaming shows also are not beholden to advertisers in the same way, giving the studio freedom to make the shows it wants to make. “If you were paying attention - or even if you weren’t - you subconsciously felt this thing where these characters have an actual relationship with each other beyond just the story of the day.”For The Epic Tales of Captain Underpants, executive producer Peter Hastings says the 2D show is more inspired by Dav Pilkey’s hugely successful book series than last year’s animated feature. For example, he says, the relationship between Tim and Boss Baby’s assistant Staci changes from antagonistic to respectful after an episode in which they work together.“We tried to track a lot of little things like that,” he says.
So we believe that there’s going to be a lot of demand for our content.”This article originally appeared in the Special Annecy 2018 Edition of ANIMATIONWorld Magazine. “There are very few people making quality animated series for kids and family, and we’re one of the few untethered ones who are doing it - maybe the only untethered one.
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